Dialogue
Dialogue (sometimes spelled dialog in American English) is a written or spoken conversational exchange between two or more people, and a literary and theatrical form that depicts such an exchange. As a narrative, philosophical or didactic device, it is chiefly associated in the West with the Socratic dialogue as developed by Plato, but antecedents are also found in other traditions including Indian literature.
In the 20th century, philosophical treatments of dialogue emerged from thinkers including Mikhail Bakhtin, Paulo Freire, Martin Buber, and David Bohm. Although diverging in many details, these thinkers have articulated a holistic concept of dialogue as a multi-dimensional, dynamic and context-dependent process of creating meaning. Educators such as Freire and Ramón Flecha have also developed a body of theory and technique for using egalitarian dialogue as a pedagogical tool.
Etymology
The term dialogue stems from the Greek διάλογος (dialogos, conversation); its roots are διά (dia: through) and λόγος (logos: speech, reason). The first extant author who uses the term is Plato, in whose works it is closely associated with the art of dialectic. Latin took over the word as dialogus.
Dialog (newspaper)
Dialog (Bulgarian: Диалог), is the free weekly newspaper with only positive information and news from Varna city, Bulgaria, Europe. The newspaper's first issue came out on 30 March 2007 with the biggest circulation in Varna region. The main idea of Dialog newspaper is to bring warmth and optimism, a sense for an orientation and direction in the world, to prove that life is a challenge and that it has to be lived in the best way. Its editor-in-chief is Svetlozar Nikolov.
External links
Dialogue in writing
Dialogue in fiction, is a verbal exchange between two or more characters. If there is only one character talking aloud, it is a monologue.
Identifiers
"This breakfast is making me sick," George said.
The George said is the identifier. Said is the verb most writers use because reader familiarity with said prevents it from drawing attention to itself. Although other verbs such as ask, shout, or reply are acceptable, some identifiers get in the reader's way. For example:
"Hello," he croaked nervously, "my name's Horace."
"What's yours?" he asked with as much aplomb as he could muster.
another example is:
"My name is Peg, what's yours?" I asked.
"My name is William, but my friends call me Will," said Will.
Stephen King, in his book On Writing, expresses his belief that said is the best identifier to use. King recommends reading a novel by Larry McMurtry, whom he claims has mastered the art of well-written dialogue.
Substitutes are known as said-bookisms. For example, in the sentence "What do you mean?" he smiled., the word smiled is a said-bookism.
Podcasts:
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by TLC
Quickie
by: TLCLadies and Gentlemen!
Yes my fine gentlemen friends
Okay, we're gonna turn to the chapter in Eyenetics
Called Left Pimping
Everybody turn to Left Pimping
Now as you can see
It's located in a region near your man
Called untitled space
I'm T-Boz I got it like that
Left Eye's dope she's got it like that
Chilli's fly she's got it like that
TLC and that's where it's at
I'm T-Boz I got it like that
Left Eye's dope she's got it like that
Chilli's fly she's got it like that
TLC and that's where it's at
We met at the park at the Summer Jams
Tims untied with saggy pants
Not the kind of guy I would give a chance
But he was kinda packin' under circumstance
6 foot 3 sexy as can be
I saw him through the crowd comin' up to me
He said aren't you that shorty from TLC
He told me 'bout the things he would do to me
(So come on over)
Let me check you out
See just what you're talkin' 'bout
(So come on over)
Boy you turn me on
Talkin' that stuff on the telephone
(So come on over)
You got me showin' through
So I can't wait to get next to you
(So come on over)
Don't let it take too long
I'm ready to put it on
You need some ginseng
For your ping ping
So we can do it!
Oops
First he came
And then he went
Right to sleep on me
I could not believe
Wakin' up and givin' what I need
Yeah yeah
First he came
And then he went
Right to sleep so fast
Did he have it up his sleeve
To pull a quickie on me
He pulled a quickie on me
No no no no no he didn't
He pulled a quickie on me
No no no no no he did not
He pulled a quickie on me
No no no no no he didn't
He pulled a quickie on me
No no no no no he didn't
Yeah yeah
He called me up to apologize
Said he owed me one and tonight's the night
Didn't know if he should get another chance
But he was kinda packin' under circumstance
He didn't know that I peeped him out
Picked up on what a quickie is all about
So went to dinner back to the crib
So I could switch it up and show him how it is
Oh wait hold up hold up hold up
Is your name Houdickie
Cuz I heard you pulled a quickie
He pulled a quickie on me
No no no no no he didn't
He pulled a quickie on me
No no no no no he did not
He pulled a quickie on me
No no no no no he didn't
He pulled a quickie on me
No no no no no he didn't
Yeah yeah
Now as we bring this class to a close
There is one last thing that we must review everybody
Alright, it's called the Left Pimp Dance
Now what you're gonna do is you're gonna put your left foot in front
Leeeeeean to the left
And dip
Just like sweet rivers
I got a taste for flow
My flow's the next show
Lets flip this icy snow
And soulfully quiver
Cuz the rhythm knows
How to correlate
With next to vertebrae's glow
I'm runnin' enough days though
Meanin' I kill time
You heard of Mayo
Well my cars do real fine
Miracle Whip this lyrical chick
On some spiritual shit
This will be a perennial trip
Damn (damn)
I'm that imperial bitch (uh)
He pulled a quickie on me
I'm T-Boz I got it like that
Left Eye's dope she's got it like that
Chilli's fly she's got it like that
TLC and that's where it's at
No no no no no he didn't
He pulled a quickie on me
No no no no no he did not
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